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Psalms 150

Praise ye the Lord. Praise God in his sanctuary: praise him in the firmament of his power.

Praise him for his mighty acts: praise him according to his excellent greatness.

Praise him with the sound of the trumpet: praise him with the psaltery and harp.

Praise him with the timbrel and dance: praise him with stringed instruments and organs.

Praise him upon the loud cymbals: praise him upon the high sounding cymbals.

Let every thing that hath breath praise the Lord. Praise ye the Lord.

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Psalms 150

Psalm 150 is a final hymn concluding the Psalter with comprehensive call for all creation to join in ceaseless praise, exemplifying the theological concerns of Book 5. The psalmist employs vivid imagery and direct address to God, establishing the intimate dialogue between worshiper and the divine that characterizes the psalmic tradition. The theological assertions center on God's character as both judge and redeemer, creating a comprehensive vision of divine justice and mercy integrated with human experience. The psalm reflects on both personal circumstance and communal identity, suggesting that individual faith finds validation through shared experience with the covenant community. The liturgical context indicates this psalm's function in worship where personal piety integrates with communal celebration of God's acts and attributes. The concluding movement typically affirms confidence in God's faithfulness, exemplifying the psalmic pattern of transformation through prayer and remembrance of divine acts throughout history.

Psalms 150:1

Praise the Lord! Praise God in his sanctuary; praise him in his mighty firmament. The opening of the final psalm and final doxology invokes praise in the sanctuary (God's dwelling place) and in the firmament (the created cosmos). The location of praise encompasses both the temple and creation itself; all space becomes sacred space for worship. This verse establishes that the final psalms constitute a cosmic call to worship.

Psalms 150:2

Praise him for his mighty deeds; praise him according to his surpassing greatness. Reason for praise (mighty deeds, surpassing greatness) becomes object of praise. All of God's works and attributes warrant adoration; the psalter concludes by establishing that creation itself and God's deeds constitute inexhaustible subjects for praise.

Psalms 150:3

Praise him with trumpet sound; praise him with lute and harp. The enumeration of instruments begins the catalog of praise-vehicles; trumpet, lute, and harp represent various musical instruments appropriate for corporate worship. The diversity of instruments suggests that all forms of artistic expression are valid vehicles for praise.

Psalms 150:4

Praise him with tambourine and dance; praise him with strings and pipe. Additional instruments (tambourine, strings, pipe) join the catalog; dance represents physical movement as form of worship. The incorporation of dance suggests that the whole body participates in praise; worship engages not merely voice but bodily movement and gesture.

Psalms 150:5

Praise him with loud cymbals; praise him with clashing cymbals. Cymbals (loud and clashing) represent percussion instruments producing bold, celebratory sound. The doubling of cymbals emphasizes volume and exuberance; praise should be unrestrained and joyful.

Psalms 150:6

Let everything that has breath praise the Lord. Praise the Lord! The final verse extends the call to praise to all living creatures; everything that breathes is summoned to worship. The final Hallelujah creates bookend to the Psalter's final movement; the entire collection culminates in unrestricted universal praise. This verse affirms that all creation—human and animal, visible and invisible, present and future—is called to eternal adoration of God. The Psalter ends not with human achievement but with cosmic chorus of praise to God.