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Psalms 135

1

Praise ye the Lord. Praise ye the name of the Lord; praise him, O ye servants of the Lord.

2

Ye that stand in the house of the Lord, in the courts of the house of our God,

3

Praise the Lord; for the Lord is good: sing praises unto his name; for it is pleasant.

1
4

For the Lord hath chosen Jacob unto himself, and Israel for his peculiar treasure.

5

For I know that the Lord is great, and that our Lord is above all gods.

6

Whatsoever the Lord pleased, that did he in heaven, and in earth, in the seas, and all deep places.

7

He causeth the vapours to ascend from the ends of the earth; he maketh lightnings for the rain; he bringeth the wind out of his treasuries.

8

Who smote the firstborn of Egypt, both of man and beast.

9

Who sent tokens and wonders into the midst of thee, O Egypt, upon Pharaoh, and upon all his servants.

10

Who smote great nations, and slew mighty kings;

11

Sihon king of the Amorites, and Og king of Bashan, and all the kingdoms of Canaan:

12

And gave their land for an heritage, an heritage unto Israel his people.

13

Thy name, O Lord, endureth for ever; and thy memorial, O Lord, throughout all generations.

14

For the Lord will judge his people, and he will repent himself concerning his servants.

1
15

The idols of the heathen are silver and gold, the work of men’s hands.

16

They have mouths, but they speak not; eyes have they, but they see not;

17

They have ears, but they hear not; neither is there any breath in their mouths.

18

They that make them are like unto them: so is every one that trusteth in them.

19

Bless the Lord, O house of Israel: bless the Lord, O house of Aaron:

20

Bless the Lord, O house of Levi: ye that fear the Lord, bless the Lord.

21

Blessed be the Lord out of Zion, which dwelleth at Jerusalem. Praise ye the Lord.

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Psalms 135

Psalm 135 is a hymn celebrating God's greatness and historical acts while condemning idolatry and affirming supremacy, exemplifying the theological concerns of Book 5. The psalmist employs vivid imagery and direct address to God, establishing the intimate dialogue between worshiper and the divine that characterizes the psalmic tradition. The theological assertions center on God's character as both judge and redeemer, creating a comprehensive vision of divine justice and mercy integrated with human experience. The psalm reflects on both personal circumstance and communal identity, suggesting that individual faith finds validation through shared experience with the covenant community. The liturgical context indicates this psalm's function in worship where personal piety integrates with communal celebration of God's acts and attributes. The concluding movement typically affirms confidence in God's faithfulness, exemplifying the psalmic pattern of transformation through prayer and remembrance of divine acts throughout history.

Psalms 135:1

Praise the Lord! Praise the name of the Lord; praise him, O servants of the Lord. This opening summons creates an emphatic call to praise God and His name, addressing the servants who minister in the sanctuary. The doubling of Praise the Lord (Hallelujah) at beginning and end of verse emphasizes the fundamental imperative: to praise is the primary response to God's being and acts. The invocation of God's name connects praise to God's revealed character and covenantal history; to praise His name is to honor the God whom Israel knows through history and experience. The identification of the addressees as servants (עבדים) suggests that praise is the essential function of those in service to God. This verse establishes praise not as optional response but as constitutive of proper covenant relationship.

Psalms 135:2

You who stand in the house of the Lord, in the courts of the house of our God. This verse specifies the location and identity of those called to praise: the priests and Levites who stand in God's sanctuary, serving in the courts where worship is conducted. The doubling of house of the Lord/house of our God emphasizes the intimacy and communal ownership of the sanctuary; it belongs to all who serve God. The standing posture suggests readiness, availability, and constant attendance; those who stand in God's house are perpetually positioned for service and praise. This verse identifies the primary audience for the call to praise as the temple personnel, though the imperative form invites all worshippers to join in this stance and orientation. The location itself—God's house—becomes the context within which praise naturally emerges.

Psalms 135:3

Praise the Lord, for the Lord is good; sing praises to his name, for he is gracious. This verse grounds the call to praise in God's essential attributes: goodness and graciousness. The quality of being good (טוב) establishes that God's nature itself is worthy of praise; goodness is not something God does but who He is. Graciousness (נעם) suggests God's pleasant disposition toward His people, His willingness to bestow favor and blessing beyond strict merit. The shift from praise to singing introduces musicality and emotional expressiveness as appropriate responses to God's character. The doubling of praise/sing and Lord/name maintains the emphasis on the totality of praise—all modalities of human response should be directed toward God. This verse establishes that praise is fundamentally rational, grounded in the objective reality of God's character, not merely subjective emotion.

Psalms 135:4

For the Lord has chosen Jacob for himself, Israel as his own possession. This verse explains why praise is appropriate: God has chosen Israel, establishing a relationship of intimate possession and preference. The election of Jacob and possession of Israel connect contemporary Israel to the patriarchal covenant, suggesting continuity between promises to the ancestor and divine care for the nation. The language of possession (סגולה) suggests that Israel is God's treasured property, distinguished from all other peoples by special relationship. This verse provides historical-theological ground for praise; the act of being chosen becomes an eternal foundation for worship. The specific naming of both Jacob and Israel (ancient and contemporary identities) suggests that God's choice encompasses all generations of the covenant people.

Psalms 135:5

For I know that the Lord is great, and that our Lord is above all gods. This verse presents a confession of faith grounded in personal knowledge: the speaker has come to recognize God's greatness and supremacy. The comparative assertion (above all gods) suggests a polytheistic context where claims about God's superiority required explicit affirmation and defense against rival claims. The shift to first-person confession (I know) creates intimacy and personal testimony; the speaker vouches for God's greatness based on direct experience. The doubling of Lord/our Lord maintains both the formal address and the intimate possession; the God who is universally great is also our God in particular. This verse demonstrates that praise emerges from experiential knowledge of God's superiority and personal relationship.

Psalms 135:6

Whatever the Lord pleases he does, in heaven and on earth, in the seas and all deeps. This verse affirms God's universal sovereignty and power, asserting that divine will is law throughout creation. The scope of divine action (heaven, earth, seas, deeps) encompasses all realms of existence; no domain escapes God's governance. The subjunctive formulation (whatever he pleases) suggests that God acts according to volition and choice, not constraint; His will is the ultimate principle of cosmic organization. This verse establishes the theological basis for the preceding and following sections: God's choice of Israel and His mighty acts in history flow from this fundamental attribute of universal governance. The assertion of omnipotence becomes the ground upon which claims of election and covenant rest.

Psalms 135:7

He it is who causes the vapors to ascend from the ends of the earth; he makes lightnings for the rain and brings out the wind from his storehouses. This verse illustrates divine sovereignty through control of meteorological phenomena—the processes of evaporation, lightning, rain, and wind. The naming of these specific phenomena suggests that what appears natural or mechanical is actually directly governed by God's intention and power. The poetic imagery of wind stored in storehouses emphasizes divine active management of creation; the universe is not a self-running mechanism but remains subject to God's constant attention. This verse demonstrates that cosmic forces ordinary and dramatic, small-scale and large, remain under God's governance. The inclusion of weather imagery connects God's political power over Israel (asserted in verses 4-5) to power over nature itself.

Psalms 135:8

He it is who struck down the firstborn of Egypt, both of humans and of animals. This verse invokes the plague narrative of Exodus, wherein God demonstrated His power through catastrophic judgment against Pharaoh and redemptive deliverance for Israel. The selective reference to the death of the firstborn (rather than the ten plagues generally) highlights the climactic, decisive divine action that forced Pharaoh's hand. The parallelism of humans and animals emphasizes that divine judgment spared nothing; even livestock fell victim to demonstrate God's power. This verse grounds Israel's praise in historical memory of God's mighty acts on their behalf; covenant theology rests on the foundation of the Exodus narrative. The inclusion of this historical reference transforms the psalm from abstract theology into concrete commemoration of what God has done.

Psalms 135:9

He sent signs and wonders into your midst, O Egypt, against Pharaoh and all his servants. This verse extends the Exodus narrative, explicitly framing the plagues as signs and wonders (אתות ומופתים) designed to demonstrate God's power to both Israel and Egypt. The phrase into your midst addresses Egypt directly, suggesting that the plagues were performed in Egypt's territory and involved Egyptian people. The parallelism of Pharaoh and all his servants suggests that resistance was systematic—the entire Egyptian power structure opposed Israel's liberation. The designation as signs indicates that the plagues were not merely destructive events but communicative acts; they signaled God's will and power. This verse emphasizes the performative dimension of God's acts—they speak, they teach, they demonstrate divine authority to all observers.

Psalms 135:10

He struck down many nations and killed mighty kings. This verse generalizes beyond Egypt to present God's judgment against nations more broadly, asserting His authority over the international order. The term many nations emphasizes the scope of divine power; God's action extends beyond one context to encompass geopolitical reality. Mighty kings were the supreme representatives of human power in the ancient world; their death demonstrates that even the most powerful human figures fall before God's judgment. This verse situates Israel's conquest of Canaan within a broader theological narrative of God's judgment against pagan powers. The killing of kings (though not named specifically) suggests that these are exemplary instances of a broader pattern. This verse asserts that all historical processes, from individual national conflicts to broader geopolitical shifts, remain under God's control.

Psalms 135:11

Sihon, king of the Amorites, and Og, king of Bashan, and all the kingdoms of Canaan. This verse names the specific nations Israel conquered in taking possession of the Promised Land, converting the abstract statement of verse 10 into concrete historical reference. Sihon and Og represent the eastern kingdoms defeated during the wilderness wanderings (Numbers 21); the kingdoms of Canaan represent the western conquest under Joshua. The specificity of naming both rulers and regions grounds theological abstraction in historical memory. This verse demonstrates that Israel's conquest was not merely human military achievement but divine action narrated and commemorated. The invocation of conquest serves as proof of God's power and faithfulness to His promises; the lands given to Israel testify to divine covenant-keeping.

Psalms 135:12

And gave their land as a heritage to his people Israel. This verse completes the conquest narrative by asserting that God's judgment against the nations resulted in land possession for Israel; the nations' defeat becomes Israel's gain. Heritage (נחלה) emphasizes permanence and inalienable possession; the land given to Israel is not temporary loan but perpetual inheritance. The use of heritage echoes earlier passages (Ps 127:3) where inheritance language conveys permanent value and divine blessing. This verse reveals that the historical narrative of conquest serves a covenantal purpose: to demonstrate God's faithfulness in fulfilling the promise of land to Israel. The finale of this historical excursus asserts that what God has done in the past (Exodus, conquest) warrants confidence in His continued faithfulness to His people.

Psalms 135:13

Your name, O Lord, endures forever, your renown, O Lord, throughout all ages. This verse returns from historical recounting to theological assertion, affirming that God's name and renown persist eternally despite the passage of time and rise and fall of nations. The endurance of God's name forever suggests that God's identity and character remain constant; what was revealed at the Exodus and conquest continues to characterize God throughout history. Renown (זכר) suggests fame, reputation, and remembrance; God's reputation for mighty deeds extends throughout all ages and reaches all peoples. This verse establishes that God's covenant and power are not confined to ancient history but remain contemporary and future-oriented. The doubling of Your name/your renown emphasizes that both God's identity and His known reputation for action persist eternally.

Psalms 135:14

For the Lord will vindicate his people and have compassion on his servants. This verse asserts God's ongoing commitment to Israel despite any apparent abandonment or delay in deliverance; vindication and compassion will ultimately characterize God's treatment of His people. Vindicate (ידין) means to judge in favor of, to establish justice for; the promise is that God will finally settle disputes and demonstrate that His people are in the right. Compassion (ינחם) suggests sympathetic sorrow and merciful action; God will not abandon His people to their suffering. This verse addresses the gap between promise and fulfillment, between God's mighty acts in the past and His continued preservation of His people. The commitment expressed here is future-oriented, suggesting ongoing divine care despite present circumstances.

Psalms 135:15

The idols of the nations are silver and gold, the work of human hands. This verse initiates a section contrasting God with idols, asserting that foreign gods are merely material artifacts, products of human manufacture. Silver and gold emphasize that idols are valuable materially but spiritually empty; they represent human wealth redirected toward false worship. Work of human hands emphasizes human agency and limitation; idols reflect only what their makers can conceive and fabricate. This verse employs a rhetorical strategy common in Israel's polemics against idolatry: to underscore the materiality and human origin of idols is to suggest their inherent falsity. The implicit contrast is between God (non-material, self-existing, utterly transcendent) and idols (material, human-made, dependent). This verse prepares for the idols' destruction in the following verses.

Psalms 135:16

They have mouths, but do not speak; they have eyes, but do not see. This verse catalogs the sensory faculties idols possess but cannot employ, emphasizing the absurdity of worshipping objects that cannot sense or respond. The irony is cutting: idols appear to have the physical organs necessary for communication and perception, yet they are functionally inert. The shift from maker's perspective (verse 15) to idol's perspective (verse 16) emphasizes the gap between promise and reality—those who worship idols expect them to speak and see, yet these faculties remain unused. This verse echoes similar idol-mocking passages (Psalm 115:4-7; Isaiah 44:9-20), suggesting a consistent biblical polemic against idolatry. The recitation of idols' senselessness becomes a form of liturgical mockery, demystifying and ridiculing pagan worship.

Psalms 135:17

They have ears, but do not hear; nor is there any breath in their mouths. This verse continues the catalog of idols' sensory incapacity, adding hearing to sight and speech. The absence of breath in their mouths emphasizes their lifelessness; whereas living beings breathe, idols are dead objects incapable of the most basic vital function. The accumulation of negations (do not speak, do not see, do not hear, no breath) creates a rhythmic insistence on idols' total incapacity and meaninglessness. This verse emphasizes that idols are inferior to animals (who at least possess life and sensation) and vastly inferior to God (who possesses all knowledge and consciousness infinitely). The mockery of idolatry through this catalog suggests that those who worship such objects are themselves foolish and degraded.

Psalms 135:18

Those who make them become like them; so do all who trust in them. This verse delivers the implicit judgment of the preceding verses: those who create and worship idols assimilate to them, becoming spiritually dead and senseless. The phrase become like them suggests that idolatry produces moral and spiritual degeneration; the idolater gradually becomes insensate and lifeless like the false gods they worship. The parallel construction (those who make/those who trust) includes both idol-makers and idol-worshippers in this condemnation; both are trapped in futility. The final assertion that idolaters become like their idols transforms the merely satirical critique into a theological warning: idolatry corrupts and destroys the human soul. This verse explains why idolatry matters theologically: it is not merely false belief but a spiritually corrosive practice that dehumanizes those who engage in it.

Psalms 135:19

O house of Israel, bless the Lord! O house of Aaron, bless the Lord! This verse calls the major corporate divisions of Israel's faith community to praise God: the people of Israel generally and the priestly house of Aaron specifically. The doubling of the summons (two houses of Israel, Aaron; three blessings total) creates emphatic parallelism, making clear that all segments of the community should participate in praise. The specific invocation of both lay and priestly segments suggests that praise is not confined to professional religious personnel but is the responsibility and privilege of all Israel. This verse redirects attention from the false gods and their foolish worshippers to the living God and His community of faith. The imperative to bless the Lord becomes a kind of antidote to idolatry; true worship displaces false worship.

Psalms 135:20

O house of Levi, bless the Lord! You who fear the Lord, bless the Lord! This verse extends the call to praise to two additional groups: the Levites (the broader priestly tribe beyond Aaron's specific line) and those who fear the Lord (the righteous, pious community). The progression (Israel, Aaron, Levi, fear-ers of the Lord) moves from political entity to priestly specialists to spiritual orientation, suggesting that multiple forms of identity and commitment exist within Israel's community. The inclusivity of the call—encompassing every tribe, every specialist, every person of faith—indicates that praise is universal responsibility. The phrase fear the Lord echoes earlier usage, emphasizing that reverence for God is the foundation upon which praise rests. This verse completes the expansion of the call to praise to encompass the entire faith community.

Psalms 135:21

Blessed be the Lord from Zion, he who resides in Jerusalem. Praise the Lord! This final verse pronounces blessing on God from the location of His sanctuary, affirming that divine blessing originates in and flows from Zion. The benedictory form (Blessed be the Lord) suggests that the speaker and community are pronouncing blessing on God, reciprocating the blessings they have received. The assertion he who resides in Jerusalem connects God's blessing to His dwelling-place in the sanctuary, suggesting that proximity to God's house is the source of all blessing. The final Praise the Lord (Hallelujah) returns to the opening imperative, creating a frame around the entire psalm. This verse transforms the call to praise into a concluded act of worship, affirming that the assembled community has successfully offered the praise demanded and will continue to do so.