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Job 7

1

Is there not an appointed time to man upon earth? are not his days also like the days of an hireling?

2

As a servant earnestly desireth the shadow, and as an hireling looketh for the reward of his work:

3

So am I made to possess months of vanity, and wearisome nights are appointed to me.

4

When I lie down, I say, When shall I arise, and the night be gone? and I am full of tossings to and fro unto the dawning of the day.

5

My flesh is clothed with worms and clods of dust; my skin is broken, and become loathsome.

6

My days are swifter than a weaver’s shuttle, and are spent without hope.

7

O remember that my life is wind: mine eye shall no more see good.

8

The eye of him that hath seen me shall see me no more: thine eyes are upon me, and I am not.

9

As the cloud is consumed and vanisheth away: so he that goeth down to the grave shall come up no more.

10

He shall return no more to his house, neither shall his place know him any more.

11

Therefore I will not refrain my mouth; I will speak in the anguish of my spirit; I will complain in the bitterness of my soul.

12

Am I a sea, or a whale, that thou settest a watch over me?

1
13

When I say, My bed shall comfort me, my couch shall ease my complaint;

14

Then thou scarest me with dreams, and terrifiest me through visions:

15

So that my soul chooseth strangling, and death rather than my life.

2
16

I loathe it; I would not live alway: let me alone; for my days are vanity.

17

What is man, that thou shouldest magnify him? and that thou shouldest set thine heart upon him?

18

And that thou shouldest visit him every morning, and try him every moment?

19

How long wilt thou not depart from me, nor let me alone till I swallow down my spittle?

20

I have sinned; what shall I do unto thee, O thou preserver of men? why hast thou set me as a mark against thee, so that I am a burden to myself?

21

And why dost thou not pardon my transgression, and take away mine iniquity? for now shall I sleep in the dust; and thou shalt seek me in the morning, but I shall not be.

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Job 7

Job continues his lament, comparing his life to servitude and expressing the futility of his existence, as days pass without meaning and nights bring no relief from pain or hope of resolution. He questions why God has made him his target, wondering what offense he has given that God should afflict him so intensely, and expressing the sense that he is perpetually aware of his suffering with no moment of distraction or relief. Job expresses the fundamental alienation of suffering: that he is separated from those who should provide comfort, that God has become his adversary rather than his protector, and that his very existence has become a burden both to himself and to those around him. His appeal to God takes the form of a desperate question: "Why have I become a target for you?" revealing that Job's primary theological crisis is not abstract theodicy but relational rupture—he has been abandoned by the one he thought would protect him. The chapter deepens the portrait of suffering as fundamentally isolating: Job is separated from his body's cooperation (it betrays him with pain), from his companions' understanding (their words wound him), and from God's presence (God has become his enemy). This chapter reveals that suffering is not only a problem to be solved through doctrine but a reality that fundamentally alters one's relationship to time, to one's body, to others, and to God, creating a state in which the normal coordinates of meaning have been disrupted.

Job 7:1

Job asserts that a man has a hard service on earth, suggesting that human existence itself is characterized by struggle and labor rather than by ease. The assertion that life is fundamentally difficult establishes a worldview that does not expect ease or comfort. The opening of this chapter on complaint reveals that Job's fundamental despair extends to the nature of existence itself.

Job 7:2

Job compares his own experience to that of a servant longing for the evening's shade and a laborer waiting for his wages, suggesting that his suffering is characterized by painful waiting for relief that never comes. The images of shade and wages represent the promised rewards of labor that sustain the worker through difficulty. Job's comparison implies that he is like a laborer who works but receives no wages.

Job 7:3

Job laments that he is allotted months of emptiness and that nights of misery have been appointed to him, suggesting that his suffering is not temporary but constitutes the entire substance of his existence. The verb 'appointed' suggests that his misery is cosmically ordained rather than accidental. The emptiness and misery fill his entire temporal experience.

Job 7:4

Job notes that when he lies down, he thinks when he will arise and that the night is long to him as he is full of tossings until dawn, describing the insomnia and restlessness of extreme suffering. The inability to sleep and the endless tossing represent the way anxiety and pain disrupt the body's natural rhythm. The long night that never seems to end captures the subjective experience of deep despair.

Job 7:5

Job describes his flesh being covered with worms and with dust caking his skin, describing the actual physical reality of his affliction—the sores have become infected with maggots. The grotesque imagery of the decaying body while still alive establishes the horror of his condition. The transformation of the body into a site of active decay represents the most extreme form of degradation.

Job 7:6

Job asserts that his days are swifter than a weaver's shuttle and that they end without hope, suggesting that his life is passing with speed but toward no purpose or fulfillment. The image of the weaver's shuttle evokes the relentless forward motion of the loom; life moves forward but accomplishes nothing of value. The phrase 'without hope' indicates that the rapid passage of days leads only toward death.

Job 7:7

Job pleads with God, reminding the Divine that his life is wind and that his eye will not again see good, urging God to remember that his existence is brief and that he will soon be gone. The description of life as wind evokes its transience and insubstantiality; it has no solid reality but will blow away. The reminder of human mortality becomes an implicit appeal for compassion.

Job 7:8

Job asserts that the eye that sees him now will not see him again and that God's eyes will seek him but he will not be, using the imagery of disappearance through death. The vision of divine seeking for one who no longer exists creates a poignant image of irreversible separation. Job's insistence on the finality of death emphasizes that time is running out.

Job 7:9

Job asserts that as a cloud fades and vanishes, so the one who goes down to Sheol does not come up, articulating the conviction that death is final and irreversible. The image of the cloud's disappearance represents the dissolution of the visible into the invisible. The assertion of death's finality becomes a kind of comfort: soon this suffering will be over.

Job 7:10

Job asserts that the one who goes down to Sheol will return to his house no more and that his place will know him no more, emphasizing the permanence of separation from the living world. The image of the house that will know the dead no more suggests that death erases all trace of one's presence. The two-fold assertion of finality emphasizes the absoluteness of the transition.

Job 7:11

Job declares that he will not restrain his mouth but will speak in the anguish of his spirit and complain in the bitterness of his soul, asserting his right to lament and protest. The refusal to restrain speech represents a claim to the authenticity of grief: it cannot and should not be suppressed. The declaration of the right to complain establishes lament as the appropriate response to unjust suffering.

Job 7:12

Job questions God: Am I the sea or Leviathan, that you place a guard over me? The reference to the sea and Leviathan—cosmic forces of chaos—creates a rhetorical question implying that God treats Job as if he were a dangerous and destructive force. The guarding suggests hostile surveillance rather than protective care. Job's rhetorical question expresses his sense of being treated as a threat rather than as a beloved creation.

Job 7:13

Job describes lying down with the hope that the night will bring relief, but instead dreams terrify and visions overwhelm him, articulating the failure of sleep to provide escape from suffering. The hope that night will bring respite proves false; instead, the night becomes a realm of horror. The intrusion of nightmares into the body's attempt at restoration reveals that there is no sanctuary from suffering.

Job 7:14

Job asserts that God sends dreams and terrifies him with visions, suggesting that even the realm of sleep and dreams becomes a site of divine assault. The active role attributed to God in terrorizing Job through visions implicates the Divine in the assault on his consciousness. Sleep, which should be a refuge from pain, becomes an arena for additional torment.

Job 7:15

Job expresses his preference that his soul would choose strangling and death rather than bones, suggesting that even at the extremity of suffering, he prefers the release of death to the continuation of physical existence. The image of strangling represents a quick and simple termination compared to the slow agony of his current condition. The reference to bones suggests the fundamental physical reality of the embodied self.

Job 7:16

Job expresses loathing of his life and declares that he would not live forever, preferring to be left alone since his days are empty. The assertion that he will not live forever moves from wishful thinking to confident assertion: his days are few, and he will soon be dead. The plea to be left alone suggests that even the consciousness of suffering itself becomes unbearable.

Job 7:17

Job questions God: What is man that you make so much of him and that you turn your mind toward him? The rhetorical question inverts the traditional psalm language (Psalm 8) to suggest that God's intense attention to humanity is not a sign of blessing but of curse. The turning of the divine mind toward Job has resulted in affliction rather than care. Job's question suggests that human insignificance might be preferable to such divine attention.

Job 7:18

Job continues: that you test him every morning and try him every moment? The assertion that God tests Job constantly transforms divine superintendence into perpetual examination and trial. The morning renewal of the testing suggests that there is no respite, that Job awakens each day to fresh torment. The intensity of the divine scrutiny becomes itself a form of torture.

Job 7:19

Job pleads with God: Will you not look away from me for an instant or leave me alone until I swallow my spittle? The request for a moment's relief becomes almost comic in its desperate hyperbole—he asks only for the time it takes to swallow. Yet the humor underscores the genuine depths of his need: even momentary relief would be precious. The plea for God to look away represents the desire to be left alone.

Job 7:20

Job questions God: Have I sinned, and what have I done to you, watcher of humanity? Why have you made me your target, and why am I a burden to myself? The series of questions expresses bewilderment at the divine hostility; if Job has sinned, he does not understand what sin he has committed. The reference to God as watcher suggests surveillance; Job is under constant observation. His final phrase—'a burden to myself'—suggests that his existence has become unbearable.

Job 7:21

Job asks why God does not pardon his transgression and take away his iniquity, suggesting that even if he has sinned, the punishment should be forgiven. The rhetorical question implies that once Job is dead and gone, there will be no one to seek him. Job's request for forgiveness, then, is tinged with irony: once he is dead, it will no longer matter. The chapter concludes with Job's plea that death end this intolerable situation.